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Souvenirs de démence from antoine capet on Vimeo.
Abramovic, who is seated in the atrium for the duration of the exhibition, invites visitors to sit silently with her “the artist”, resulting in a dramatically lit public stare-off. See all on FlickR
In the spring of 1845, William Henry Fox Talbot made four photographs of the Royal Exchange in London. What appears in these photographs is not only the nineteenth century edifice of a financial institution, but also an early limitation of the technology of photography itself: its inability to capture and clearly represent objects in movement. Beginning with this image of finance and the limitations of photography, In Place of Capital unfolds in the strange place between economic movements and the realm of pictorial representation after the invention of photography.
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