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Mr. and Mrs. Nelson (Excerpt) from Peter Nelson on Vimeo. Website
Olivier Metzger on Galerie Bertrand Grimond
Flooded McDonald’s is a film work by Superflex in which a convincing life-size replica of the interior of a McDonald’s burger bar, without any customers or staff present, gradually floods with water. Furniture is lifted up by the water, trays of food and drinks start to float around, electrics short circuit and eventually the space becomes completely submerged. Flooded McDonald’s from Superflex on Vimeo. The Financial Crisis (Session I-V) is a new film work in which SUPERFLEX address the financial crisis and meltdown from a therapeutic perspective. A hypnotist guides us through our worst nightmares to reveal the crisis without as the psychosis within. During 4 sessions you will experience the fascination of speculation and power, too fear, anxiety and frustration of loosing control, economic loss and personal disaster. The Financial Crisis – trailer from Superflex on Vimeo. Superflex website
This installation consists of a five and a half minute video and ten pictures. In this video, I put myself into the skin of a vague coarse rapper who unfurls over the name of the great German philosopher a string of thoroughly out-of-place insults in French and English (out-of-place, that is, in the philosophical debate). This crazy displacement is the comic mainspring of the video. The pictures play on a different chord: they borrow images coming from the video, in the upper half, and words of German vocabulary in the lower. The link is the same as in Masse sur comptable. The upper images are focused on the red shoes of the phoney rapper. The blur of the moving image is rendered by keeping the texture of the video image and the aerial character of the shots. The letters detached from the wording in the bottom part have the weight of things that cannot be counted. They refer to the absurdity of the insults associated with the name of a philosopher. How to draw a square – E. Duyckaerts envoyé par leoscheer_tv. – Films courts et animations. A mini video-lecture. Great to speak an English which has an accent vaguely
BACKGROUND NOISE About the book : The border between different artistic media is meant to disappear to reveal interstices loaded with creativity. This publication is one of them. A collection of images and photographs conceptualized and elaborated around what links sonic elements to visual ones. This publication exhibits and questions different levels of interpretation between these two media. How can one photograph noise? Silence? Can we hear with our eyes and see with our ears? Is noise inevitably associated to movement and silence to inactivity? Why is noise a problem? In this publication we aim to distance ourselves from the basic relationship existing between music and photography, avoiding pictures of gigs, bands or instruments. We wish to present pictures that come out of the direct collaboration between noise and photography, taken instinctively and randomly. Pictures of places, moments or people where the notion of noise is perceptible instantly. We also wish to present works from people that deal with this theme in a conscious and conceptual way. This book deals with the notions of high and low definition of an image and encourages people to think about contemporary estheticism through different techniques: film or digital cameras, pictures that were found,
PETER SUTHERLAND by David Brandon Geeting from MOSSLESS on Vimeo.
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