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Tom Frencken

Emergency Cabinet : This cabinet keeps a bible to prevent you from reading it until its absolutely necessary
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Adam MCEwen

Self-portrait as a credit card

Self-portrait as a credit card

Untitled Text Msg [Karin]

Untitled Text Msg Karin

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Martina Hoogland Ivanow

Speedway

Speedway

Elephant and castle

Elephant and castle

Far to close

Far to close

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Sebastian Errazuriz

Beach with a banner that reads: “Death is the only certainty in life”. The original phrase intended for the project read: “We are all going to die”. Nevertheless the Federal Aviation Administration decided to censor the project due to the alarm such a phrase could create amongst the population. A series of phrases related to the awareness of death and life were sent to the airline for the approval of the FAA. “Death is the only certainty in life” was allowed. Its shorter version: “Death is the only certainty” was not allowed.
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Winkler+Noah

Melissa

Melissa

Eduardo

Eduardo

Beatrice

Beatrice

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Piero Golia

Giraffe with no title but with a pedestal so high that it makes her head bump into the ceiling

Giraffe with no title but with a pedestal so high that it makes her head bump into the ceiling

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Janet Zweig

Lipstick Enigma from Janet Zweig on Vimeo. Website
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Adrian Ghenie

Pie Fight Study 2

Pie Fight Study 2

Dada is dead

Dada is dead

The Bath

The Bath

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Volkmar Klien

Contributions to Homeland Sound Topography 01 – The Right Sides of the Road. from Volkmar Klien on Vimeo.
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Goran Škofić

In the video installation consisting of ten video recordings, Goran Škofić treats his own body. Each video shows a multiplied figure of the author who in repeating rhythm performs just one action (workout in the gym, running, applauding in a concert hall…). In this way he realizes Baudrillard’s theoretical assumption of the simulacrum, enabled because of the possibility of electronic image’s mediation. He deconstructs the body into a naked “corpus” as he titled his work, liberating it of humanization, of bodily weaknesses like fatigue or mistake. Škofić’s character acts in the rhythm of incessantly repeating movements and has no foothold either in the original or the truth. Corpus / Set-up in Small Gallery from Goran Skofic on Vimeo.
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